Korean adoptee films pain of mother-child separations

SEOUL – Bringing her camera to a home for unwed mothers on South Korea’s Jeju island, Sun Hee Engelstoft anticipated an empowering story about young women keeping their babies.

Instead, she ended up with a raw and unsettling documentary about how a deeply conservative sexual culture, loose birth registration laws and a largely privatized adoption system continue to pressure and shame single mothers into relinquishing their children for adoption.

The shock and grief of mother-child separations and intense fear of social stigma captured in “Forget Me Not” offer insight into what’s preventing thousands of Korean adoptees from reconnecting with their silenced birth mothers, decades after they were flown to the West.

Adoptees, including Engelstoft, have also blamed these disconnections on limited access to records, falsified documents that hide their true origins and a lack of accountability shown by adoption agencies and South Korea’s government.

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“Every time I started following a woman (at the home), they strongly told me that they wanted to keep their child, and that’s just not what happened,” Engelstoft said in a recent interview with The Associated Press. “I was completely horrified at the result.”

“Forget Me Not,” which was released in South Korean theaters this month, started out as the filmmaker’s personal attempt to understand her Korean mother, who at 19 gave away Englestoft when she was a newborn. “

More than 6,400 Korean children were sent abroad in 1982, the year Engelstoft arrived in Denmark. In all, about 200,000 South Koreans were adopted overseas during the past six decades, mainly to white parents in America and Europe.

“Forget Me Not,” shot at Jeju’s Aeseowon shelter in 2013 and 2014, opens with the facility’s director reading Engelstoft a document signed by her birth mother. It shows that Engelstoft was relinquished on the same day she was born and that her mother pledged never to look for her.

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Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.

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